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Growing up Alaska

MEMORIES OF A TOWN, A TIME, A PLACE, AND A PEOPLE PLANTED IN A LITTLE POCKET OF WONDERFUL

A pleasant, cheerful reminiscence that offers some engaging glimpses into daily life in one of the few truly remote areas of...

Tschirgi presents a debut memoir that extols the joys of a childhood spent in tiny Tok, Alaska—population: about 1,200.

According to the author, her father, Steve Breeser, dreamed of being able to live in Alaska, and he and his new bride, Marsha, even gave it a try back in 1971. But there were no jobs to be had, and at summer’s end, they were forced to return to the lower 48. In 1982, when Tschirgi was 6, Steve’s work with the U.S. Fish and Wildlife Service finally offered him the opportunity he’d been waiting for: a posting in small-town Tok. The Breesers packed themselves, their two kids, and one dog into two cars (including one loaded with 100 pounds of wheat to get them through the Alaskan winter), and headed north to begin what would become a life-defining decade for the author. It seems to have been a childhood totally free of angst, and the isolation of living in the middle of Alaska, as described here, was not so much a challenge as it was an adventure. The image that emerges of the little, isolated outpost is one of welcoming neighbors, devoted teachers, kids riding their bikes and playing Kick the Can during the endless daylight of Alaskan summers, and swimming in the frigid waters of Moon Lake (although people carried “some passengers known as leeches” out with them when they returned to shore). Tschirgi’s prose is lighthearted, articulate, and conversational. However, there’s a curious absence of passion in her tone, and the book is more of a reporting of events than a reliving of them. There’s no tension or conflict, although the author does share a couple of very Alaskan-style close calls; how many Americans, for example, can say they were charged by a mother moose protecting her babies? Overall, this slim volume, which comes complete with a number of family-album photos, is intended to be, and most definitely is, a loving tribute to the author’s father and to the Alaska of her youth.

A pleasant, cheerful reminiscence that offers some engaging glimpses into daily life in one of the few truly remote areas of the United States.

Pub Date: May 28, 2015

ISBN: 978-1-4575-3772-1

Page Count: 156

Publisher: Dog Ear

Review Posted Online: March 14, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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