by Nikita Stewart ‧ RELEASE DATE: May 19, 2020
A tale of how grassroots spirit and gritty determination can bloom into hope.
A New York Times journalist chronicles the experiences of a Girl Scout troop founded in a shelter in Queens, New York.
The main character in the narrative, Giselle, the founder of Troop 6000 and program manager at the Girl Scouts of Greater New York, was once homeless herself. Stewart begins with the hardships and the eviction that forced Giselle and her five children to move into the Sleep Inn shelter in Queens. In an accessible narrative that encompasses a range of social justice concerns, the author chronicles Giselle’s initial encounter with the Girl Scouts and the idea to begin a troop when she realized that the girls around her would benefit from its encouraging community. Stewart also provides some light history on the founder of the Girl Scouts, Juliette Gordon Low, and the author's discussions of the backgrounds of friends at the shelter who helped Giselle illuminate themes of empowerment and overcoming personal challenges. From the troop's widespread media coverage, which included an appearance on The View, to managing the social dynamics of the group ("the Scouts...were growing more and more unappreciative"), Giselle comes across as a poised, resilient organizer whose own journey toward finding a better housing solution for her kids lends the story extra tension—especially when juxtaposed against such pleasant traditions as Camp Kaufmann and cookie sales. While the melodramatic lines that close many of the chapters—e.g., “Back to being homeless and dreaming of a day when they weren’t”; "In seven months, the family would be homeless"; “What good are keys if you don’t have a home?”—don't always ring true, Giselle's life on the page unfolds in a readable fashion calibrated for emotional, uplifting crescendos. Stewart is also wise to let the Scouts tell their own stories, offering a more nuanced perspective to the story. Featuring a sensitive treatment of a still-existing homelessness epidemic, this is an impassioned look at how Troop 6000 inspired others to form in its wake.
A tale of how grassroots spirit and gritty determination can bloom into hope. (b/w photos)Pub Date: May 19, 2020
ISBN: 978-1-9848-2075-4
Page Count: 288
Publisher: Ballantine
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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