by Nikki Grimes ‧ RELEASE DATE: Sept. 1, 1994
Children's author Grimes (From a Child's Heart, 1993, etc.) does an adult turn with this mild historical fiction about the mother of Jesus. Largely narrated in the first person, the novel tells the familiar story of Mary in a simple, pious way that is sure to please fundamentalist believers. Coming of age in the backwater of Galilee, ruled by the evil and tyrannical puppet-king Herod, Mary is attracted to the carpenter, Joseph, by his muscular good looks and his love of God. She is betrothed to him when she is visited by the Archangel Gabriel, who announces that she has conceived a child by the spirit of God. She envisions opprobrium and rejection as a result of this ``illegitimate'' pregnancy, but Joseph stands by her and vows to keep the matter private between them. Forced to flee to Egypt to avoid the mass infanticide ordered by Herod, they return only after the monarch's death. Jesus, the son she bears, impresses all those around him, and Mary remembers the promise of Gabriel and the old prophecies, but she still doesn't fully understand. Finally, Jesus embarks on a ministry of which she is no real part. She sees him only occasionally and is confused when he spurns her. She watches helplessly as he is arrested and executed. When he is raised from the dead, in fulfillment of the prophecies, Mary, like Doubting Thomas, refuses to believe it until she has seen it with her own eyes—after which she emerges believing and exultant. Passages from the Gospels punctuate the text and serve to give it a homogenized story line culled from disparate parts of the biblical tradition. Attempts to add resonance to the bare-bones account by portraying Mary's inner thoughts are only sometimes successful. Boy meets girl. Girl gives birth to Messiah. Messiah dies. Messiah lives. Enough said.
Pub Date: Sept. 1, 1994
ISBN: 0-15-173199-3
Page Count: 128
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Nikki Grimes ; illustrated by Michelle Carlos
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Stephen Batchelor ‧ RELEASE DATE: Feb. 18, 2020
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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