by Nikki McClure & illustrated by Nikki McClure ‧ RELEASE DATE: Aug. 1, 2012
This deconstructed lesson in plant regeneration, composting and life cycles will reach apple-eating readers of many ages
Primitive-looking cut-paper illustrations depict an apple’s travels from tree to kitchen to backpack to picnic and eventually into soil, where it takes root as a new seedling.
Run your fingers across this satisfyingly square book’s cover and feel the subtle, smooth outlines of a ripe apple and simple letters. You’ll immediately sense the solid, soothing storytelling at work inside, achieved through astute manipulations of paper. McClure’s masterful cut-paper pictures appear more chunky and primitive here than in other works (To Market, to Market, 2011, etc.), appropriate in a book about plant processes as old as the Earth. Solitary verbs centered on white left-hand pages definitively describe the apple’s journey. Their red, all-uppercase, hand-drawn block lettering compliments rustic black-and-white pictures that look a lot like whittled woodblock prints. Beginning readers can latch onto these firm words, point at their hefty letters and discern sounds and meanings. Older readers will appreciate McClure’s use of a velvety, Valentine red to highlight the apple; these isolated instances of color pull children into each leg of a small odyssey, making a little apple’s peregrinations seem deserving of acute attention. Backmatter includes “The Life Cycle of an Apple Tree” and “Composting,” described in simple language that manages to be both sophisticated and conversational. Four panels capturing the four seasons sit on the opposite page: a summation of an apple’s year in pictures and an assured ending.
This deconstructed lesson in plant regeneration, composting and life cycles will reach apple-eating readers of many ages . (Picture book. 3-8)Pub Date: Aug. 1, 2012
ISBN: 978-1-4197-0378-2
Page Count: 40
Publisher: Abrams Appleseed
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt & illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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SEEN & HEARD
SEEN & HEARD
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