Next book

THE ROADMAN BOOGIE

Unsatisfying.

He’s got the music in him, and he can’t stop dancing.

While the big diggers move the earth and fill up the trucks at the side of the highway, a hard rain falls. The Roadman has a bit of trouble holding up his big stop sign. He’s chilly, bored, soggy, and fighting a cold. When a car pulls up, blaring out a rockabilly tune, Roadman’s toes begin to twitch, and he can’t help but dance along with the music. The same thing happens when a decorated station wagon drives by with a doo-wop song emanating from it. A truck blaring a country-music ballad gets his knees rocking back and forth. He also moves to a boogie-woogie beat, a rhumba, a saucy salsa, a bit of jazz, a brassy bugle band, and a dazzling disco track. He’s so busy dancing he doesn’t notice the rising water. “The river’s overflowed!” Quickly, he puts out his cones and closes the road. Traffic is likely to be stalled for hours. There’s only one sensible thing to do: invite everyone to “my Roadman’s Boogie Ball!” Robinson’s rhyming text gives the story a bit of a lift, but her illustrations don’t fulfill the promise of so many different styles of dance, and the idea of matching the music to the vehicles is only half realized, so spread after spread features nothing but the pale-skinned Roadman dancing against a gray, textured backdrop meant to evoke rain.

Unsatisfying. (Picture book. 4-6)

Pub Date: Oct. 1, 2016

ISBN: 978-1-76036-012-2

Page Count: 40

Publisher: Starfish Bay

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Next book

BEAUTIFUL, WONDERFUL, STRONG LITTLE ME!

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...

This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.

Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)

Pub Date: Sept. 14, 2018

ISBN: 978-1-63233-170-0

Page Count: 32

Publisher: Eifrig

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

Next book

THE HIPS ON THE DRAG QUEEN GO SWISH, SWISH, SWISH

Fun, fun, fun all through the town!

This book’s gonna werk, werk, werk all through Pride Month and beyond.

Drag persona Lil Miss Hot Mess rewrites “The Wheels on the Bus” to create a fun, movement-filled, family-friendly celebration of drag. The text opens with the titular verse to establish the familiar song’s formulaic pattern: “The hips on the drag queen go SWISH, SWISH, SWISH… / ALL THROUGH THE TOWN!” Along the way, more and more drag queens join in the celebration. The unnamed queens proudly display a range of skin tones, sizes, and body modifications to create a diverse cast of realistic characters that could easily be spotted at a Pride event or on RuPaul’s Drag Race. The palette of both costumes and backgrounds is appropriately psychedelic, and there are plenty of jewels going “BLING, BLING, BLING.” Don’t tell the queens, but the flow is the book’s real star, because it encourages natural kinetic participation that will have groups of young readers giggling and miming along with the story. Libraries and bookshops hosting drag-queen storytimes will find this a popular choice, and those celebrating LGBTQ+ heritage will also find this a useful book for the pre-K crowd. Curious children unfamiliar with a drag queen may require a brief explanation, but the spectacle stands up just fine on its own platforms.

Fun, fun, fun all through the town! (Picture book. 4-6)

Pub Date: May 5, 2020

ISBN: 978-0-7624-6765-5

Page Count: 40

Publisher: Running Press Kids

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Close Quickview