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THE DOLLMAKER

A gothic story which explores human nature while sometimes getting lost in stereotypes and unnecessary detail.

A doll maker with dwarfism, a woman living in a mysterious asylum, and several unsettling Polish fairy tales converge in this third novel from British writer Allan (The Rift, 2017, etc.).

Andrew Garvie has had an obsession with dolls since he was a child. He both collects them and creates his own from battered or scarred parts. When he responds to an ad in a collector’s magazine asking for information about Polish doll maker and fairy-tale writer Ewa Chaplin, he strikes up a correspondence with its writer, fellow doll enthusiast Bramber Winters. Through her letters, Bramber reveals that she lives in a kind of asylum run by a Dr. Leslie, whose credentials seem dubious at best. The other residents include people with mental illness as well as several little people. Andrew becomes convinced that he is in love with Bramber and sets off on a journey across the English countryside to rescue her from this strange place. Along the way, he visits doll museums and junk shops and reads some of Ewa Chaplin’s fairy tales, which bear troubling parallels with his and Bramber’s reality. That reality has a slightly sinister feel, as if the world is almost imperceptibly tilted on its axis, and the fairy tales themselves are disturbing. With alternating chapters—Andrew’s first-person narration, Bramber’s letters, and Ewa’s fairy tales—the book moves slowly toward a quick climax and neat conclusion. Andrew explicitly says that he makes his scarred dolls as “a kind of protest,” as “little dissidents….As human beings they would have faced lives of oppression….And yet they persist.” However, the novel’s constant characterization of difference—whether of size, appearance, ability, sexuality, race, or gender—as either strange, fetishized, or magical (or all three), leaves a lot to be desired in terms of exploring the oppression the protagonist ostensibly works against. There are gay characters but they are predatory; the only black woman character is described as large, and the protagonist speculates about her pubic hair. The many characters with dwarfism are consistently compared to dolls and fetishized by average-size people. While the rich imagery, sentence construction, and deft storytelling lend the novel charm and readability, these aspects of the narrative are disturbing.

A gothic story which explores human nature while sometimes getting lost in stereotypes and unnecessary detail.

Pub Date: Oct. 15, 2019

ISBN: 978-1-59051-993-6

Page Count: 416

Publisher: Other Press

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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