by Nina de Gramont ‧ RELEASE DATE: Sept. 2, 2014
While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is...
Wren’s infatuation with handsome charmer Tim takes on an unexpected emotional depth after Tim reveals that he is gay.
Their friendship blossoms as she becomes a fiercely loyal defender of his secret, while he offers her emotional support during her family’s financial struggles. The novel’s premise initially feels like a traditional trope: Two best friends transfer to a new school where romance and varying degrees of social acceptance strain their friendship. But Wren’s voice transforms the potential teen dramafest into a nuanced reflection on gaining independence through the pursuit of individual interests and demonstration of concern for the well-being of others. Wren displays an uncanny ability to say just the right thing to comfort Tim during dark moments, a skill many readers will envy. And her very public loyalty to Tim is admirable. Yet Wren is far from perfect, occasionally privately revealing she still longs for a romance with Tim or feels jealous of his relationship with a football player, though she knows these feelings are unfair. Admissions like these ensure Wren is a dynamic character, not just a literary edifying device. Thoughtful parallels between discrimination based on race and sexual orientation are also skillfully interwoven.
While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is love,” and all loves deserve respect .(Fiction. 12-18)Pub Date: Sept. 2, 2014
ISBN: 978-1-4424-8056-8
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
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by Isabel Ibañez ; illustrated by Isabel Ibañez ‧ RELEASE DATE: Nov. 5, 2024
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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