by Ninni Holmqvist & translated by Marlaine Delargy ‧ RELEASE DATE: June 9, 2009
Orwellian horrors in a Xanadu on Xanax—creepily profound and most provocative.
Pricey shops that require no money. Gardens that trump Monet’s. Creature comforts galore. But Swedish ace Holmqvist’s English-language debut soon discloses a catch.
The shelf-life for inhabitants of this paradise is about six years. This is the Second Reserve Bank Unit, into which the State herds women 50 and up, and men 60 and over, to use for biological material. They’re fattened like calves, but there’s civic-duty payback: mandatory organ donation, culminating in the final “gift” of their lungs and hearts. Big Brother doesn’t take every oldster, just those termed “dispensables”: the cash-strapped, underachieving or, worst of all, childless. Dorrit Weger, freelance writer, dog-lover and free sprit, is initially mesmerized by her new surroundings. She feels a sense of community, a closeness never offered by Nils, the inadequate lover who would never leave his wife. And she takes pride in being needed when she’s enlisted in one of the Unit’s many medical experiments. It’s a benign investigation into the effects of exercise, but in the cafeteria and on the lush grounds Dorrit soon notices other campers sleepwalking like zombies or displaying weirdly blotched skin. As her roommates are ushered off one by one to their final donations, she panics into the arms of Johannes, a fellow Unit resident who actually manages to impregnate her. Dazzled by upcoming motherhood, Dorrit is certain her bulging belly will gain her freedom. Proven at last productive, she’s bound to be rewarded by the State….isn’t she? In her first novel, short-story writer Holmqvist echoes political-science treatises like Hobbes’ Leviathan and Rousseau’s The Social Contract (gone decidedly mad here), as well as the usual dystopian novels from Brave New World to 1984.
Orwellian horrors in a Xanadu on Xanax—creepily profound and most provocative.Pub Date: June 9, 2009
ISBN: 978-1-59051-313-2
Page Count: 272
Publisher: Other Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2009
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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