An uncomplicated and sometimes-entertaining rewrite of Shakespeare's enemies-to-lovers play.
An anti-love cardiologist must reassess matters of the heart when he is attracted to a sharp-tongued lawyer seeking true love.
On her 30th birthday, Kareena Mann learns that her father has decided to put her late mother’s beloved house up for sale. When Kareena protests, her father agrees to give her the house if she gets engaged within four months. Determined to marry for love, Kareena is looking for prospective soul mates when she runs into Prem Verma. They quickly forge a connection, but Prem upsets Kareena when he leaves their date abruptly. He further courts her rage when, on an episode of The Dr. Dil Show, the talk show he hosts on a local South Asian television network, he launches into a cynical tirade against love. Prem, who hosts the show to court investors interested in funding a community health center for the South Asian diaspora, is appalled when he finds out that Kareena’s public display of anger could endanger his goals. After a brief conversation with her aunties, Prem sees that if he can convince Kareena to pretend to be engaged to him, they will both get what they want: Prem can secure his future, and Kareena can get her home. But matters become complicated when they begin to like each other despite their diametrically opposed views. A loose adaptation of The Taming of the Shrew, the inaugural installment of Sharma’s If Shakespeare Was an Auntie trilogy is replete with endearing references to Indian, specifically Punjabi, culture. Kareena and Prem are engaging protagonists, and the relationships they each share with their closest friends are fresh and fun. But because the ties that bind them to their families are underdeveloped and the depth of their intergenerational trauma remains unplumbed, Sharma’s sincere attempt to unpack South Asian stereotypes sometimes winds up unwittingly bolstering them; for instance, while Kareena's aunties have the potential to leap off the page as memorable characters, there is little more to them than their fervent desire to see Kareena married.
An uncomplicated and sometimes-entertaining rewrite of Shakespeare's enemies-to-lovers play.Pub Date: March 15, 2022
ISBN: 978-0-06-300110-7
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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