Injam comes close to fulfilling the promise of his title with these meticulously crafted narratives.
Young Indians and Indian Americans try to find their footings in the world in this contemplative debut story collection.
In “The Bus,” the opening story, a man embarks on what proves to be a strange and unexpectedly perilous visit to his hometown. In “Summers of Waiting,” a woman living in the U.S. returns to India to visit the dying grandfather who raised her. For Aditya, in “The Immigrant,” his first semester as a graduate student in the U.S. is a struggle to survive. In “The Protocol,” another Indian immigrant seeking to stay in the U.S. takes a chance by marrying an American woman for a visa. Most of Injam’s characters experience deep emotion but don't know how to communicate their love and longing, perhaps constrained by societal expectations of their gender, sexuality, or religion in expressing how they feel. Many of the stories serve as eloquent meditations on grief, but “Lunch at Paddy's,” which tries to be more lighthearted, falls flat. In it, a man named Padmanabham is bewildered by what to serve when his son invites a White school friend to lunch. While some of the humor lands (what kind of grocery store doesn’t stock Maggi?), the story’s attempt to showcase the multifaceted anxieties of recent immigrants doesn’t quite work; why doesn’t anyone, including the two kids plenty exposed to American culture, suggest ordering a pizza? But almost every other story offers readers at least one moment of pure literary satisfaction. Linked by theme and tone, the entries are different enough to merit the reader’s investment in the rich worlds the author creates for each of them. While the collection takes little risk, it offers an array of characters and circumstances that capture contemporary concerns with grace; the language, well-rendered details, and strong story structures combine to deliver revelations. Injam’s title story, in particular, is a testament to his command of the short form.
Injam comes close to fulfilling the promise of his title with these meticulously crafted narratives.Pub Date: July 11, 2023
ISBN: 9780593317693
Page Count: 224
Publisher: Pantheon
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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