A sincere story about the courage required to be true to oneself that overlooks central historical elements.
Young women in Nazi Germany carve out a space for their untraditional love.
Charlotte Kraus is once again following her crush, Angelika Haas. This time Geli takes them to an underground dance hall filled with American jazz music. This music is one more thing deemed inappropriate for a proper girl in 1930s Berlin—just like girls’ having loose, unbraided hair or wanting to kiss other girls or not being devoted Hitlerjugend members. Spanning the years leading up to and through World War II, the story follows Charlie and her small group of friends as they are coming into young adulthood. Minna is Jewish and scared for her family. Renate, who is deaf in one ear, prefers wearing boys clothing and drops out of school; hiding her disability is critical. Geli is the daughter of an SS officer. And while Charlie wants to continue her schooling, she’s not on the university entrance track and is expected to work. Tyndall has composed a moving, ardent narrative of the Swingjugend, or swing youth, that readers will at times find prescient as they consider recent events. Oddly, however, given that the characters live in a society dominated by race theory, the music’s origins in Black American culture go unmentioned, and the anti-Blackness at the heart of Nazi hostility toward jazz and swing is erased, subsumed under generic statements that “anything not German is degenerate.”
A sincere story about the courage required to be true to oneself that overlooks central historical elements. (Historical fiction. 14-18)Pub Date: Oct. 18, 2022
ISBN: 978-0-06-308744-6
Page Count: 320
Publisher: HarperTeen
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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