At the heart of this megabook from South-African-born Mostert (Supership, 1974) is the moving story of the tragic clash between races—black and white—and cultures—British, Boer, and African— in a place that for a brief, transcendent moment was a model to the world of racial tolerance and democracy. Beginning with the Portuguese search for a route around the Cape to India, Mostert traces the history of what was to become the Cape Province when South Africa united in 1910. When, in 1652, the Dutch East India Company established a small settlement at the Cape to provide fresh water and provisions for passing ships, it had no intention of founding a colony, let alone a country. But the settlers, who were soon to become the only white tribe of Africa, the Afrikaners, began almost immediately to foray into the interior in search of more land for their cattle. By the mid-18th century, they had advanced far enough up the eastern seaboard to meet the Xhosa, one of the great black tribes of southern Africa. This meeting of two cattle-owning but otherwise immensely different peoples became the crucible for many of the policies and attitudes that shaped the future South Africa. Mostert chronicles in detail the good intentions gone wrong, the ignorance and incompetence, the deeds and misdeeds that followed. Nine wars were fought before peace prevailed in the early 19th century. By that time, all races were entitled to full civil rights and enjoyed a franchise open to all male property-owners, black and white. It was a time of brief hope, extinguished with such tragic consequences in 1910. Despite the daunting length—and weight—and some inevitable repetitiveness, a perceptive and sympathetic portrait of a seminal period in South Africa's history—and one of special interest as Nelson Mandela, a Xhosa prince by birth, begins to take his rightful place in the new South Africa. (Thirty-two pages of photographs; four maps—not seen.)
Pub Date: June 18, 1992
ISBN: 0-679-40136-9
Page Count: 1140
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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