A little worm’s floodgate of tears has positive effects.
An omniscient narrator, fearful that the worm might drown, tries to lighten the mood and points out the benefits of a good cry. Attempting to cheer the worm up, the narrator notes that there are many reasons to cry, but “you have to cry better.” If you can “cry like a fountain,” pigeons seeking a birdbath will be pleased. Or your tears might fill a pot to be boiled for pasta. The narrator notes that everyone cries at some point—police officers, kings, dogs, even rocks. Individuals cry in every season and for any kind of event, happy or sad. The humorous examples presented, though outlandish, prove the point. A good cry can be emotionally satisfying, and crying is a universal language. Softly animated illustrations depicting tears in pale blue hues provide amusing visuals for each of the silly scenarios. Winter crying can make an icy lake for the little worm to skate on, while summer crying can help the flowers grow, with the little worm’s tears watering a daisy. And though we never find out why the main character is so upset, the worm’s weeping is never dismissed but acknowledged with tenderness—and humor. (This book was reviewed digitally.)
A lighthearted approach to recognizing—and respecting—feelings.
(Picture book. 3-6)