More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some...
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here.
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here. But essentially this slender first novel is just a framework for an Ephronesque series of stand-up-comic routines, journalistic one-liners, and movie-farce-style vignettes--an occasionally funny but edgily unsatisfying tsimmes. The wisecracking narrator is cookbook-writer/TV-celebrity Rachel Samstat, who one day realizes that her Washington-columnist husband Mark Feldman, the ultimate "Jewish prince," is having an affair with Thelma Rice, giant wife of a blitheringly neurotic Undersecretary of State. Mark confesses--but doesn't offer to give Thelma up. Spurred on by celebrity-shrink Vera ("every so often she has to fly off to co-host Merv Griffin"), pregnant Rachel storms off to her beloved N.Y.C. with tot Sam while reviewing her marriages (#1 was "a low-grade lunatic who kept hamsters"). She rejoins her therapy group--which gets robbed. She flies back to D.C. when Mark seems interested in a reconciliation. But finally, after giving birth, Rachel tells Mark off, throws a pie in his face, and instantly winds up in the arms of an adorable New Yorker for an upbeat fadeout. Throughout, Ephron fails to find the right balance between satire and soap--reaching for laughs (and canceling out empathy) with outlandish cartoon shriek, then lurching for the heart-strings with Rachel's crying-behind-the-jokes sentimentality. ("Because if I tell the story, it doesn't hurt as much,") Only one moment lifts off into inspired, manic-but-believable comedy: Rachel, in a desperate/vengeful panic, spreads the rumor that Thelma has gotten a gynecological infection. (In a Vietnamese restaurant: "The toilet seat, I guess. . . although I'm not sure. Maybe from the spring rolls.") And the rest consists of Rachel's uneven musings on being Jewish, being in Washington, being Jewish in Washington, the Sixties, Phil Donahue, Lillian Hellman, the Eastern Airlines shuttle, cellulite, sex, shrinks, marriage, and cooking. Plus: lots of not-quite-funny aphorisms ("Show me a woman who cries when the trees lose their leaves in winter and I'll show you a real asshole"); tired send-ups of Women's Lib; and many, many recipes. (My Search for Warren Harding, p. 206, also was big on recipes: is this the new trend in cute-fiction substitutes for content?) More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.
More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.Pub Date: May 4, 1983
ISBN: N/A
Page Count: -
Publisher: Vintage
Review Posted Online: March 21, 2023
Kirkus Reviews Issue: May 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The series’ snarky noir vibe might be dwindling, but there’s something of substance in its place.
This is wizard Harry Dresden’s yearlong mourning period for Karrin Murphy, the woman he loved.
If you keep upping your protagonist’s powers throughout a series, then you must balance the scales by increasing the number and strength of their enemies—as well as seriously messing with their personal life. Over the course of the Dresden Files, Harry Dresden, Chicago PI and now one of the most powerful wizards in the world, thought his first love was dead (she wasn’t), sacrificed his half-vampire girlfriend on an altar to save their child, lost another girlfriend when they learned she’d been mind-controlled into their relationship, bound himself into servitude as the Fae Queen Mab’s Winter Knight, and, for the length of an entire book, thought he himself was dead (he wasn’t). But nothing has hit quite as hard as the death of Karrin Murphy, the former police lieutenant who was his quasi-partner, friend, and, after a slow burn across many books, lover. Chicago is in a terrible state following a battle with Ethniu the Titan and her Fomor army, and Harry is doing his best to confront the monsters, dark magic, and anti-supernatural prejudice running wild amid the slowly rebuilding city. He’s also trying to save his half brother Thomas from two different death sentences, train a new apprentice, and juggle a relationship with Thomas’ half sister Lara, the dangerously seductive vampire Queen Mab is forcing him to marry. But he’s doing all this while nearly crushed by grief that threatens his judgment and disturbs his control over his magical powers. Butcher really makes you feel the dark, depressive state Harry exists in as well as the effect it’s having on his friends. Despite all that happens in it, this book is a pause as well as a setup for the series’ planned conclusion, an epic conflict with the eldritch creatures known as “the Outsiders.” It’s a tough, redemptive pause that could be a real drag, but thankfully, it’s not, because Butcher shows balance, too: Even as the crises pile up, so do the help and goodwill from unexpected sources.
The series’ snarky noir vibe might be dwindling, but there’s something of substance in its place.Pub Date: Jan. 20, 2026
ISBN: 9780593199336
Page Count: 480
Publisher: Ace/Berkley
Review Posted Online: yesterday
Kirkus Reviews Issue: March 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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