More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some...
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here.
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here. But essentially this slender first novel is just a framework for an Ephronesque series of stand-up-comic routines, journalistic one-liners, and movie-farce-style vignettes--an occasionally funny but edgily unsatisfying tsimmes. The wisecracking narrator is cookbook-writer/TV-celebrity Rachel Samstat, who one day realizes that her Washington-columnist husband Mark Feldman, the ultimate "Jewish prince," is having an affair with Thelma Rice, giant wife of a blitheringly neurotic Undersecretary of State. Mark confesses--but doesn't offer to give Thelma up. Spurred on by celebrity-shrink Vera ("every so often she has to fly off to co-host Merv Griffin"), pregnant Rachel storms off to her beloved N.Y.C. with tot Sam while reviewing her marriages (#1 was "a low-grade lunatic who kept hamsters"). She rejoins her therapy group--which gets robbed. She flies back to D.C. when Mark seems interested in a reconciliation. But finally, after giving birth, Rachel tells Mark off, throws a pie in his face, and instantly winds up in the arms of an adorable New Yorker for an upbeat fadeout. Throughout, Ephron fails to find the right balance between satire and soap--reaching for laughs (and canceling out empathy) with outlandish cartoon shriek, then lurching for the heart-strings with Rachel's crying-behind-the-jokes sentimentality. ("Because if I tell the story, it doesn't hurt as much,") Only one moment lifts off into inspired, manic-but-believable comedy: Rachel, in a desperate/vengeful panic, spreads the rumor that Thelma has gotten a gynecological infection. (In a Vietnamese restaurant: "The toilet seat, I guess. . . although I'm not sure. Maybe from the spring rolls.") And the rest consists of Rachel's uneven musings on being Jewish, being in Washington, being Jewish in Washington, the Sixties, Phil Donahue, Lillian Hellman, the Eastern Airlines shuttle, cellulite, sex, shrinks, marriage, and cooking. Plus: lots of not-quite-funny aphorisms ("Show me a woman who cries when the trees lose their leaves in winter and I'll show you a real asshole"); tired send-ups of Women's Lib; and many, many recipes. (My Search for Warren Harding, p. 206, also was big on recipes: is this the new trend in cute-fiction substitutes for content?) More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.
More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.Pub Date: May 4, 1983
ISBN: N/A
Page Count: -
Publisher: Vintage
Review Posted Online: March 21, 2023
Kirkus Reviews Issue: May 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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