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BELONGING

A GERMAN RECKONS WITH HISTORY AND HOME

As multilayered as memory, the book intertwines text, photo, graphic art, and thematic complexity into a revelation almost...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • National Book Critics Circle Winner

A graphic artist of German descent tries to come to terms with her family’s history before she was born.

Not only was Krug too young to have memories of the Nazi era, but her parents weren’t born until 1946. Yet she feels drawn to what happened before, a legacy that amounts to a search for identity, a pilgrimage to the homeland that risks guilt and shame. Neither of her parents seems to know much about their familial Nazi ties or to be inquisitive about learning more. Her father’s brother had died as a teenage Nazi soldier, and their sister and her father had since been estranged. Her maternal grandfather had also served with the Nazis, and the level of his support remained something of a mystery. Krug felt blood ties to her ancestors but had no idea how deeply (or not) they had been entangled. She also felt stigmatized by the common stereotype of her as a German and what this seemed to reflect about her emotions, personality, and overall identity. The narrative is a deeply personal—and deeply moving—dive into national legacy and family history, with more text than most graphic novels and a graphic presentation that mixes documentary photographs, illustrations, and memories that predate the author’s birth. Her obsession takes her from her home in Brooklyn, where she lives with her Jewish husband, to the Germany where her parents were born and raised, in search of documents and testimony. As she gets closer to something that feels like truth, she writes, “I feel a sudden pain, shallow but sharp and all-consuming as a paper cut, because even inherited memory hurts.” Krug’s efforts reunite a family and return to her a lost legacy.

As multilayered as memory, the book intertwines text, photo, graphic art, and thematic complexity into a revelation almost as powerful for readers as it must have been for the author.

Pub Date: Oct. 2, 2018

ISBN: 978-1-4767-9662-8

Page Count: 288

Publisher: Scribner

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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