Not just a visceral portrayal of political violence, but also a major addition to our understanding of right-wing terrorism.
A riveting account of the human consequences of the violent 2017 Unite the Right rally in Charlottesville, Virginia.
Journalist Neus, who field-produced the rally for Anderson Cooper’s CNN program, uses the voices of counterprotesters, local clergy, elected officials, University of Virginia students, and journalists to lay bare the collective anxieties engendered by “alt-right” protesters. The result is a gripping narrative of psychological and physical damage, laid out vividly by Neus via the voices of those on the ground. On May 13, according to the Heaphy report, White nationalists in KKK regalia “formed into ranks…in front of the statue of Robert E. Lee and chanted ‘blood and soil,’ ‘you will not replace us,’ and ‘Russia is our friend.’ ” In July, notes the UVA dean of students, “the flyers for the Unite the Right rally had started showing up and they had very neo-Nazi imagery, a fascist eagle.” According to the chaplain at a local hospital, medical professionals “were preparing for mass casualties.” On the night of Aug. 11, White supremacists marched to campus, and a UVA professor “saw 150, 200 neo-Nazis with torches….The students were in a circle, locked arms around the [Thomas Jefferson] statue.” The next night, noted a student, “a group of white supremacists, some with their hands taped like boxers, punched, kicked, and choked people who tried to block their path, leaving them bloody on the pavement.” Amid the turmoil, a counterprotestor and former member of Congress recalls, “The shocking thing…was that [the fighting] went on for like three hours and the police still hadn’t moved in.” When the police finally did arrive, they pushed the marchers into a crowd of counterprotestors. A local clergyman remembers: “What we had for hours after that were bands of Nazis roaming through downtown.” Another: “There was blood everywhere.”
Not just a visceral portrayal of political violence, but also a major addition to our understanding of right-wing terrorism.Pub Date: July 18, 2023
ISBN: 9780807011928
Page Count: 240
Publisher: Beacon Press
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
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