by Nora Neus ; illustrated by Julie Robine ; color by Abigail Paradis ‧ RELEASE DATE: April 1, 2025
Informative historical fiction about important trailblazers featuring a charming queer romance.
A fictionalized account of two real figures: “stunt-girl reporter” Nell Cusack and photographer Alice Austen.
It’s 1888. Each year, Nell summers in New York City with her well-connected aunt and uncle. She’s found employment as a society reporter for the New York Chronicle, a job which she hopes to finagle into more consequential reporting, like Nellie Bly’s famous mental hospital exposé. When she discovers that her best friend, Italian American Lucia Amatucci, who works as a maid for Nell’s aunt and uncle, was injured at her second job at a garment factory, Nell goes undercover to blow the whistle on the factory’s dangerous and inhumane work environment. After her article appears in print, the factory sues the paper. Fortunately, Nell has recently become acquainted with photographer Alice Austen, whom she enlists to gather photographic evidence for subsequent articles. In the nuanced resolution, Nell confronts her own privilege in pursuit of social justice. Along the way, the gently budding romance between Nell and Alice unfolds in sweet, swoonworthy scenes. While Neus takes liberties with the story—the author’s note indicates there’s no historical evidence that Cusack was queer, though Austen spent more than 50 years with her woman partner—the fictional romance is a delight. The soft, luminous, full-color illustrations shine. The panels showing renderings of Austen’s actual photos, depicted in grayscale, are particularly evocative.
Informative historical fiction about important trailblazers featuring a charming queer romance. (Graphic historical fiction. 12-18)Pub Date: April 1, 2025
ISBN: 9780316439930
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Nora Neus
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by Muhammad Najem & Nora Neus ; illustrated by Julie Robine
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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