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INNOCENT IN DEATH

Roarke and Eve remain an appealing pair, and Eve’s flashes of vulnerability contrast nicely with her no-nonsense approach to...

Future cop Eve Dallas (Born in Death, Nov. 2006, etc.) returns to investigate the murder of a popular history teacher and deal with an unexpected threat to her marriage.

Two students discover the vomit-covered corpse of 26-year-old Craig Foster in his classroom at one of New York’s toniest private schools. He’s been done in by hot chocolate laced with ricin, a choice of poison that betrays a cold, calculating killer who intended the victim to suffer. But why? Craig was admired by students and faculty alike, madly in love with his beautiful wife and apparently free of enemies. Eve theorizes that he might have been silenced for knowing too much about the after-school shenanigans of faculty Lothario Reed Williams, who dallied with teachers and parents alike. Then Reed is drowned in the school pool, leaving several possible culprits, but still no motives or patterns that satisfy Lieutenant Dallas. When Eve’s gut leads her to the least likely of perps, she faces an uphill battle to convince her colleagues before the killer strikes again. Her cop instincts are also triggered by the arrival of Magdelana Percell, a knockout blonde from hubby Roarke’s larcenous past. Eve can tell from a split-second glance he gives “Maggie” that she once meant something to him, a discovery that prompts jealous brooding and uncharacteristic insecurity in the tough-talking heroine. Indeed, Magdelana is an unreformed con artist keen to pick up where she left off with Roarke, who can’t see at first that he’s being played. That leaves Eve to not only solve the case, but to make it home in time for a Valentine’s Day dinner to sort out differences with her soulmate.

Roarke and Eve remain an appealing pair, and Eve’s flashes of vulnerability contrast nicely with her no-nonsense approach to work. Occasionally, though, Robb’s New-York-in-2060 gimmick draws undue attention to itself.

Pub Date: Feb. 20, 2007

ISBN: 0-399-15401-9

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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