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WHY MAHLER?

HOW ONE MAN AND TEN SYMPHONIES CHANGED OUR WORLD

Lebrecht takes on a fascinating topic, but his attempt results in a disorienting formal hodgepodge.

Music critic Lebrecht (The Life and Death of Classical Music: Featuring the 100 Best and 20 Worst Recordings Ever Made, 2007, etc.) pens an extended love letter to the composer whose majestic symphonies and brooding vocal works have become almost sacrosanct in the contemporary concert hall.

This book will appeal to Gustav Mahler (1860–1911) enthusiasts who share the author’s tendency toward unabashed hyperbole—read no further than the subtitle. Lebrecht’s penchant for exaggerating the role played by the classical music tradition in Western culture permeates this latest work, as it has throughout much of his previous writing. Yet the author’s premise is worthy of consideration: How do we account for the rise in Mahler’s popularity since Leonard Bernstein almost singlehandedly initiated a Mahler Renaissance in the 1960s? Though Lebrecht doesn’t provide a definitive answer, he does offer an ample introduction to the composer. As part biography, part gonzo journalism and part confessional, the book seems unnecessarily confusing. The most compelling sections, which chronologically trace Mahler’s biography, are tainted by Lebrecht’s decision to write in the present tense. Likewise, many of the sections within the biographical portion of the book jump to tenuously related anecdotes from the present just as the narrative settles into a more comfortable rhythm. Lebrecht writes with appealing detail, however, filling in the crevices of his subject's life with adages and impressions about Mahler conveyed through the letters and reminiscences of those who knew him. Consequently, the author richly animates Mahler as the moody, self-obsessive and tragic figure he seems to have been. The book also includes interviews with surviving family members and accounts of the author’s pilgrimages to important Mahler sites.

Lebrecht takes on a fascinating topic, but his attempt results in a disorienting formal hodgepodge.

Pub Date: Oct. 5, 2010

ISBN: 978-0-375-42381-9

Page Count: 336

Publisher: Pantheon

Review Posted Online: July 23, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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