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AMERICAN METEOR

From the American Novels series , Vol. 2

This novel memorably encompasses grand themes and notions of transcendence without ever losing sight of the grit and moral...

A young Civil War veteran ventures West, encountering violence and moments of revelation on his way.

Lock, whose work often encompasses eras and notions of history and literature in unexpected ways, is working in a more restrained manner in this novel. Narrator Stephen Moran encounters real-life figures (including Walt Whitman and Ulysses S. Grant), his path quietly intersecting with major historical events from the Civil War to the building of the Transcontinental Railroad. Initially a bugler, Stephen loses one eye in a battle and winds up working on President Abraham Lincoln's funeral train. From there his life takes him West, which will further shape his character, especially his time working for photographer William Henry Jackson. There’s a brief metaphor involving an aging Huck Finn that will stand on its own to some readers and evoke for others Lock’s The Boy In His Winter(2014), in which Huck and Jim travel through decades’ worth of history via the Mississippi River. Like that novel, this one is structured with an older narrator looking back over his life. As the story progresses, Stephen has fateful encounters with George Custer and Crazy Horse, leading to moments of vengeance and haunting realizations. Stephen is aware of his moral shortcomings and conscious of the racial conflicts and power struggles—some of them fatal—that play out around him. “There was room on the calendar for only one martyrdom in April,” Stephen notes after a run-in with a group of Confederate sympathizers after Lincoln’s death. He’s a memorable narrator, seeking to understand the new medium of photography but also capable of acts of swift violence. A subplot involving his visions of the future—"It came to me in dreams. Terrible ones!” he says—arrives halfway through the book but turns out to have a solid payoff.

This novel memorably encompasses grand themes and notions of transcendence without ever losing sight of the grit and moral horrors present in the period.

Pub Date: June 9, 2015

ISBN: 978-1-934137-94-9

Page Count: 208

Publisher: Bellevue Literary Press

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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