A resonant story of art, rebellion, and politics.
An illustrator seeks his fortune on the eve of the Spanish-American War.
Though it opens in 1897, Lock’s new novel feels very relevant in 2024. The narrator, Oliver Fischer, is 20 when the book begins. He’s studying art, to the frustration of his wealthy, bigoted father, who urges him to take up a career in banking instead. Much of Oliver’s time is spent discussing politics and thinking about the nature of art. Painter Thomas Eakins—one of Oliver’s instructors—instructs him to read Stephen Crane’s article “An Experiment in Misery,” an account of living hand to mouth. It’s at this point that Oliver’s life begins to draw closer to Crane’s, with the two men eventually crossing paths in Key West. The story of a young man’s discovery of what is and is not important to him is well handled here, and Lock offers reminders of the more unseemly aspects of this society, from Oliver’s father’s bigotry to a racist attack on a Chinese restaurant. The novel’s description of the unlikely alliances at work in the anti-imperialist movement are intriguing—but it’s Oliver’s voice and the lyricism of his observations that make this novel especially strong. Here’s Oliver exploring a collection of swallowed jacks in the Chevalier Jackson Foreign Body Collection at Philadelphia’s Mütter Museum: “Their number testified to the popularity of the schoolyard game and to the appetite of children for the inedible.” Oliver is a wry narrator; he observes that, as tension between the United States and Spain escalates, “the temperature of the nation’s war fever could be told by the number of exclamation marks” in newspaper headlines. In the end, it’s a book haunted by Crane’s literary work and his legacy—to say nothing of the man himself.
A resonant story of art, rebellion, and politics.Pub Date: July 2, 2024
ISBN: 978-1-954276-27-7
Page Count: 352
Publisher: Bellevue Literary Press
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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