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JOHN VON NEUMANN

Name: JOHN VON NEUMANN
Author: Norman Macrae
ISBN: 0-679-41308-1

THE SCIENTIFIC GENIUS WHO PIONEERED THE MODERN COMPUTER, GAME THEORY, AND NUCLEAR DETERRANCE

by Norman Macrae ‧ RELEASE DATE: Aug. 1, 1992

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Macrae, former editor of the Economist and author of The 2025 Report (1985), offers an oddly jocular biography of the Hungarian mathematical prodigy who would become a highly influential cold warrior before his death in 1957—an account whose credibility is hindered by the author's unabashed reverence for his subject. One of the four Hungarian geniuses who would help introduce the Atomic Age at Los Alamos (the others were Edward Teller, Leo Szilard, and Eugene Wigner), von Neumann made his mark in Europe while barely past his teens through his contributions to a mathematical foundation for the new quantum physics. In 1930, the young, newly married mathematician emigrated to America to teach at Princeton. While von Neumann moved on in succeeding years to increasingly influential posts at the Institute for Advanced Study, the Los Alamos atom-bomb project, Teller's hydrogen-bomb program, and, finally, the freshly created Atomic Energy Commission, his agile and highly logical mind left an indelible mark on the computer revolution, games theory, economics, and, as his political clout increased, international relations. Despite the fact that the general reader is as likely to be interested in the development of von Neumann's hawkish political stance (particularly regarding the nuclear-arms race), and his odd fascination with such topics as global government and control of the weather, as in his scientific contributions, Macrae veers away from serious exploration of his subject's philosophical outlook—instead emphasizing (and applauding) the ease with which ``our Johnny'' used dirty jokes to evade emotional political debate, and ridiculing those of differing political temperament (e.g., deeming ``Bertie'' Russell and Norbert Wiener ``geniuses turned emotionally too dotty''). The effect is off-putting, and though ``Johnny's'' romp through world affairs is dutifully recounted, the private motivations of this hard-drinking, power-loving genius remain, in quintessential 50's style, drowned in nervous laughter. (B&w photos—16 pages—not seen.)

Pub Date: Aug. 1, 1992

ISBN: 0-679-41308-1

Page Count: 352

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1992

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.