Egypt, 1100 B.C.: a narrator without memory ("I still did not know who I was, nor how old I might be") finds himself in the Necropolis, in the tomb of young, dead nobleman Menenhetet the Second. . . and only slowly realizes that he is in fact "nothing but the poor Ka" (part of the soul) of Meni II. An unnerving, disorienting, promising beginning for this 700-page novel—but then, alas, the Ka of Meni II meets the Ka of his great-grandfather Meni I, a much-reincarnated High Priest who will be the primary narrator in the six long, lifeless sequences that follow. In "The Book of the Gods," Meni I offers a mini-history of Ra, Isis, Horus, Set, et al., seen in terms of "shit, blood-sacrifice, and fucking" (especially homosexual rape—a major preoccupation throughout the novel). In "The Book of the Child," Meni II remembers a childhood visit—with father, mother Hathfertiti, and Meni I—to Pharaoh Ramses IX, an endless evening during which Meni I tells the four-"Book" story of his previous existence in the bygone era of Ramses II: he is the Pharaoh's Charioteer and rape victim ("I was no longer myself but His, and loved Him. . . but I also knew I would never forgive him"); he's a leader in the Battle of Kadesh against the Hittites (powerful war scenes), indulging in cannibalism; he then becomes "Nanny of the harem," consorting in kinky rituals with the sorceress/ courtesan Honey-Ball (but also having threesies sex with the Pharaoh and a pig); next he's courtier/lover to Nefertiri, the Pharaoh's dumped queen ("you fucker, give Me your obelisk," she murmurs); eventually, in life #2, he'll become High Priest. And, while Meni I's reminiscences go on and on, Meni II's passive father sleeps (one can hardly blame him)—but the six-year-old Meni II himself becomes increasingly aware of the sexual cracklings in the air: the lust between Ramses IX and Hathfertiti, the sexual secrets of Meni I and Hathfertiti. . . and, above all, Meni II's own simmering "desire for my Mother" (they will indeed become lovers). Did Mailer's research into Ancient Egypt reveal a cultural fixation on Oedipal incest, fellatio, anal rape, and castration anxiety? Or is this a willful projection of Freudian preoccupations onto the world of the Pharaohs? Whichever the case, the result is oddly stagnant fiction—straining to conjure up a nexus between mysticism and sex. And though there are passages of vividly exotic Egyptology, along with a few of coarsely amusing anachronism, this flatly episodic epic most often seems embalmed in its own obsessions—with little to reward the many readets who'll be drawn by the Mailer name and the media interest.
Pub Date: April 25, 1983
ISBN: 0349109702
Page Count: 709
Publisher: Little, Brown
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: April 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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