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EXISTENTIAL ERRANDS

Maybe Prisoner of Sex revitalized Mailer for detractors as well as admirers, but you don't have to be a feminist to put this book down. Indeed, it needs no down-putting — it devolves by itself into banality, vacuity and general sludge. It's a collection of Mailer's occasional pieces from the last five-odd years. The subjects range from such prefabricated micro-Hemingway efforts as boxing and a Lorca translation to attempts at revenge or self-justification vis-a-vis the critics, e.g., the claim that New York critics' taste determines what is produced and mutterings about what a fine book the ever-maligned American Dream is. Mailer of course not only ventured into play writing during this period but undertook some film ventures; this book reminds us how fast the "free run of obscenity" lost its shock value, and Mailer's writings on the movies give little evidence of any other kind of value. Despite his relatively straightforward journalistic efforts on the Kennedy assassination and Mark Lane, and the moderate essence of "black power," the final message of the book is about Mailer himself: it invites the conclusion that he's afraid to try sustained, disciplined work. This comes through indelibly in his accounts of movie-making, of the big novel he was going to write in these years, and of his New York mayoral campaign which seems to have lacked tactics, strategy, or any theory beyond the trendiness of local community control. Thus the undertones of envy in his piece on Podhoretz and Making It (probably the most interesting thing in the book) in which he exhibits admiration for Podhoretz' frank sense of purpose and will to success. In contrast to this stands Mailer's own "existentialism" — not the big-E kind but something close to the philosophy of the traveling salesman who thinks existentialism means God-is-dead-do-what-you-want — from that vantage point it's hard to generate artistic commitment or even, as in the case of this collection, bellelettristic accomplishment.

Pub Date: April 17, 1972

ISBN: 0451054229

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: April 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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