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THE PRESIDENTIAL PAPERS

Norman Mailer is the Hamlet of American Letters. A hipsterized Hamlet to sure, but Hamlet nonetheless. Throughout these papers, striking assorted poses, he patrols an Existentialist Elsinore where King Jack and Queen Jacqueline rule. Like Hamlet he throws off the Royal Act (finishing that novel, producing that play). Hamlet had his Romantic Ego, Mailer his Challenger Complex. Commenting on the contemporary scene he tosses everything and everybody into the ring: B-film dramatics, punchdrunk dialectics, padded muscles, genius out-of-joint. Set to capture the conscience of the Age, like Hamlet he too has a Message; its illustrations are many (Liberal Totalitarianism, Cancer, Drugs, Cold War, Sex), its names up-to-the-minute (the K's, the Mob, Genet, Castro, Liston). It's essentially thus: the Modern World is losing its Id. But like Hamlet's psychodrama, Mailer is forever testing himself here so he won't have to test himself there or vice versa. The Literary Racket, which of course he rants over, is his Rosencrantz & Guildenstern. The Court is the Establishment: he puts down, they pick him up by Talking About him, by thinking him Not Quite Sane, by fondling him as a Our Bum. And as with Hamlet, we're never sure he doesn't love it. The Ghost is Papa Hemingway. Ophelia is the use he keeps deserting. The only real successes here are Time & Being, Belly, and some parts of 10,000. They're pretty much fiction; the rest is "fact". And with fact Mailer at his best is like Hamlet at his worst: sophomoric without being soporific. From anyone else, as reportage his sociocultural cacciatore might seem superlative stuff. For him it's self-slaughter. Mailer had better polish his princely talents in the Kingdom of the Imagination, or he's through. And there will be no Fortinbras to sing the rites of war. (The original subtitle: The Murder of Good Ideas).

Pub Date: Nov. 8, 1963

ISBN: N/A

Page Count: -

Publisher: Putnam

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: Nov. 1, 1963

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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