by Norman Mailer ‧ RELEASE DATE: April 1, 1976
To muse over like old film clips in this election year, here are Mailer's four newsmaking reports of conventions past—including the whole of Miami and the Siege of Chicago—with a preface that invites us to consider them together. As a novelist, he writes, he was expected to "see the world with my own eyes and my own words"; he had the advantage over a journalist that he could explore a situation and reflect upon the nature of its reality. So, covering the 1960 nomination of JFK in Los Angeles for Esquire, he wrote "Superman Comes to the Supermarket." The Democratic elect are assembled for what was to be the last time—Stevenson glowing like a lover ("one was reminded of Chaplin"), Johnson the compromised, Eleanor Roosevelt, "a lady who was finally becoming a woman," Carmine DeSapio and Kenneth Galbraith (Mailer's pregnant pairing), scrappy Bobby Kennedy, and of course JFK: the musical comedy hero, the embodiment of that "ecstasy and violence which is the dream life of the nation." (Did Mailer, as he suggests elsewhere, create Camelot?) Less intense but hardly less pointed is the delineation of the Goldwater and Scranton forces at San Francisco in 1964, caught up in a contest otherwise slated for oblivion; and then one comes to Mailer's still-festering impressions of the 1968 conventions in Miami and Chicago. By 1972 the impulse seems to be spent, for he makes the McGovern victory as boring as the Nixon gala, perhaps more so; as he acknowledges, his strength is the perverse. But in the meantime his personal, novelist's journalism, intersecting with Sixties' individualism, spawned the Hunter Thompsons—no future campaign will be left to Teddy White—and in the New York Times now John Leonard writes familiarly of the fall of Superfan (Nixon). The inclusion of photographs seems a mistake; Mailer's politics zoom larger than life.
Pub Date: April 1, 1976
ISBN: N/A
Page Count: -
Publisher: Little, Brown
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: April 1, 1976
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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