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Not That Kind of Call Girl

A vibrant, multidimensional story featuring a humorous and relatable protagonist.

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A newspaper call-center supervisor helps a new employee whose life is intertwined with that of an aging celebrity in García’s novel.

As the story opens in 2016, the very pregnant 25-year-old Julia Navarro-Nilsson is interviewing 18-year-old Carmen Cooper for a call-center position at The Cascade City Chronicle, a Seattle-area newspaper. Julia is intrigued by the young woman, who listed someone named Percy Booth as her sole reference, but didn’t provide his phone number; Julia thinks his name is familiar, but she can’t immediately place it. Not long afterward, Julia goes on maternity leave, and her colleague Kelvin De la Fosse, who’s covering for her as call center supervisor, lets her know that Carmen keeps calling about the job. They decide to hire the teen, which reactivates Julia’s interest in Booth—a pursuit that Jerry, on the newspaper’s arts and entertainment beat, joins. The novel reveals that Booth, a violence-prone 1960s Hollywood star, has an unexpected connection to Carmen, as well as criminal acts in his past. As Julia and Jerry gather evidence to get the police involved, Julia also contends with the surprising arrival of her wealthy, often-critical mother; sexual harassment from her boss; and the threat of the newspaper being sold. Multiple showdowns occur that transform Julia’s and Carmen’s lives. García presents a lively, action-packed novel that features a diverse cast. Julia is particularly well-developed and given to wry observances on motherhood and other topics: “The new mother thing was not at all like what Baby’s First Year magazine depicted or what she’d read on the internet.” The mix of such humor and serious topics, including horrific crimes, can be a bit jarring at times. However, Julia is an appealing personality throughout with potential to lead further investigative adventures.

A vibrant, multidimensional story featuring a humorous and relatable protagonist.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: The Wild Rose Press

Review Posted Online: Nov. 6, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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