An engaging SF page-turner that delivers outsized characters, fiendish villains, and vicious paybacks.
In this third installment of a series, a new teleportation technology, intended to extinguish global warming and fossil-fuel fires, is corrupted to offer eternal life.
Heaton continues his SF/techno-thriller series that started with LEAP (2022), which posited an alternative 2003 in which the world faced a paradigm shift. The change was sparked by eco-entrepreneurs Uma Jakobsdóttir, a scientist’s daughter obsessed with lowering carbon emissions, and Britain’s Ethan Rae, a tainted billionaire whose Green Ray fund supported “decarbonization.” Their killer app: LEAP, free technology that passes for teleportation. It breaks down matter at one gateway and reconstitutes it at another. If LEAP prevails, all fossil fuel-dependent transportation and shipping becomes obsolete—and with it, greedy business lords who prosper from petrochemicals. But LEAP has another side; quantum-computing can digitally record the atomic records of users and re-create such individuals indefinitely, thus conferring clone-based immortality and endless human backups. John Forsyth, a vile, CIA-connected capitalist, was previously defeated by Ethan and Uma after the villain and his chief scientist stole LEAP’s secrets and sold them to some Saudis. Now, in 2010, as LEAP gains favor with the White House over industry opposition, Forsyth counters with a Riyadh-backed venture, called “Eternity,” providing perpetual life to rich elites (“Not even the top 0.1%. But the lucky 0.001%. The fortunate few. His few”). This violates the “LEAP Laws” against mortal resurrection codified by Uma, who is forced by Forsyth’s media manipulation to admit that she and Ethan (now lovers) used LEAP data to cheat death in previous adventures. But worse than the public-relations damage is a LEAP-revived rogue Navy SEAL with a vendetta against Ethan, and a flesh-eating virus that gruesomely strikes thousands of LEAPers. Though much of a piece with the other books in Heaton’s saga, this solid volume is especially pulpy fiction with an emphasis on gruesome torture, deviancy, twisted revenge, and poetic justice. Between bouts of mayhem, the gripping story skillfully explores the ethical dilemmas of effectively Xeroxing human beings (or their mental processes, another LEAP effect), even touching on the abortion controversy and definitions of humanity. Unintended consequences of science innovations are an SF mainstay, and Heaton has done considerable looking before LEAPing. It’s clear he isn’t done with the energetic premise yet.
An engaging SF page-turner that delivers outsized characters, fiendish villains, and vicious paybacks.Pub Date: Feb. 29, 2024
ISBN: 9780956172068
Page Count: 382
Publisher: Rookwood Publishing
Review Posted Online: March 20, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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