A small but important addition to the oeuvre of a writer deeply concerned with issues of race and gender.
Striking social commentary underscores the action in two dark, previously unpublished stories from the late sci-fi master.
In the opening novella, A Necessary Being, Tahneh rules the Rohkohn, a small desert tribe facing a severe drought. Tahneh is a Hao, a rare, blue-skinned being prized for their fighting ability and political cunning in the fictional world's stark, allegorical caste system based on skin color in which all people are yellow, green or blue. Traditionally, tribes fight to capture, hobble and force a Hao to lead them. Tahneh's father endured this at the hands of the Rohkohn, yet Tahneh avoided hobbling by being born into the tribe. After her tribe peacefully captures a young male Hao named Diut, she knows that because she is growing old and has not given birth to an heir in her “intercaste liaisons” with her people, they will soon hobble Diut and force him to succeed her. The sharp prose that Hugo and Nebula awards winner Butler (Fledgling, 2005, etc.) is known for isn’t as honed here. But she generates immense tension and shows the loneliness behind Tahneh’s maneuvering as the central power struggle unfolds between the two Hao and their tribes, structured tightly around a moving scene of seduction, a fight and an uneasy pact, forcing Tahneh to strategize for her tribe while she considers if they or the Hao are her true people. In the bleak story “Childfinder,” a black woman named Barbara can read thoughts and find children with similar “psionic ability.” A confrontation with the select group of people with “psi” reveals that Barbara has struck out on her own to train black children and snuff out “psi” powers in white children, which may trigger a lethal race war.
A small but important addition to the oeuvre of a writer deeply concerned with issues of race and gender.Pub Date: June 24, 2014
ISBN: 978-1-4976-0137-6
Page Count: 95
Publisher: Open Road Media
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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