by Odd Arne Westad ‧ RELEASE DATE: Sept. 3, 2012
A fresh look at a confounding nation the West has not yet figured out.
An astute, succinct study of modern China emphasizing overarching themes like hybrid identity and foreign influence rather than nationalism and centrality.
In presenting this complex portrait of a fast-changing, multiethnic empire as it collided head-on with modern currents, Westad (International History/London School of Economics; The Global Cold War: Third World Interventions and the Making of Our Times, 2005, etc.) takes a thematic approach, following a dozen currents including the effects of imperialism and the relationship with Japan. The orientation of China’s empire for millennia was toward the Yellow River and the east, with fluid borders, numerous tributary states and a sense of centrality dictated by Confucian ideals. Since 1636, the Qing, a conquering outsider tribe, consolidated rule by expanding outward, even by genocidal means. Qing rule would steadily be chipped away during the 19th century, due to subsequent ineffectual leadership and disastrous interventions in Burma and Vietnam, uneven growth while Europe began undergoing technological expansion, and a shifting trade with Russia and England. The aggressive arrogance demonstrated by Britain during the Opium War and the concessions wrung by the treaty underscored Qing impotence, emphasized Westerners’ contempt for Chinese traditions, and sowed internal dissent. Westad employs this theme of foreign intervention all the way through Mao Zedong’s stringent shutting off of China to the outside world. The author also examines the significance of the global Chinese émigré community, which has played a key role in China’s capitalist transformation since 1978. China’s relationship with Japan grew mutually suspicious and fearful as Russia and the West moved in, and Japan’s aggressive war with China, 1937-1945, wrought unimaginable destruction, as well as renewal and modernization.
A fresh look at a confounding nation the West has not yet figured out.Pub Date: Sept. 3, 2012
ISBN: 978-0-465-01933-5
Page Count: 528
Publisher: Basic Books
Review Posted Online: May 30, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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