by Oge Mora ; illustrated by Oge Mora ‧ RELEASE DATE: Oct. 2, 2018
A lovely story of giving and community founded in Nigerian culture. Delectable.
Omu makes a stew so delicious everyone in the neighborhood follows their noses to her door.
Omu (which means “queen” in Igbo—Omu is black) is making a “thick red stew in a big fat pot” for her dinner. She tastes it, saying it’ll be the most delicious supper she’s ever had, while out the window drifts the scent of the “scrumptious” stew until it reaches a little boy. The story is peppered with synonyms for “scrumptious” (itself repeated throughout), allowing readers the chance to discuss and expand vocabulary. When the little boy follows the smell to Omu’s door, she kindly offers to share her stew with him. So begins a veritable parade of neighborhood residents who, led by the smell, end up at Omu’s door. The collage art adds texture, depth, and distinctiveness to each character. Omu shares her thick red stew with all and receives grateful thanks in reply. Alas, when Omu looks for her own supper, she finds her pot empty. The expressive illustrations convey her despondency as she answers yet another knock at her door to find…that the multiracial neighbors she shared with are back! This time, they have gifts in hand and are ready to make her a wonderful supper, which turns into another shared meal and a dance party.
A lovely story of giving and community founded in Nigerian culture. Delectable. (author’s note) (Picture book. 4-8)Pub Date: Oct. 2, 2018
ISBN: 978-0-316-43124-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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