Mukherjee artfully demonstrates that even a new civilization can have its discontents.
Losses great and small haunt the denizens of a glittering new city in India.
In the summer of 2018, Maneka Roy, who's lived in the U.S. for a dozen years, visits the rising and opulent city of Hrishipur to visit her father after the death of her mother. Natives of Calcutta, where they brought her up, Maneka’s parents had relocated to Hrishipur so her mother could pursue a longed-for teaching career after her husband's retirement. (Once there, they ominously lost most of their modest nest egg when the development including the dream apartment they had invested in goes bust.) Maneka is drawn into the varied social circle inhabited by Ramona, an old acquaintance now living in Hrishipur. One of the “beautiful girls” back in high school, Ramona seems emblematic of the glitz and glamour of the Oz-like new city. Through a series of interlocking accounts, each told from the perspective of someone in or attached to Ramona’s orbit, Mukherjee reveals the actual forces at work behind the glamorous facade of the dream city: loneliness, frustration, classism, misogyny, economic uncertainty, jealousy, disenfranchisement…and worry. People striving to get ahead or stay afloat in Hrishipur lose much-needed jobs, fear the loss of those jobs, and fight battles with ennui and increasingly competitive global market forces. Looming above this all, like an actual illuminated beacon, are the Trump Towers being (contentiously) developed by a famous U.S. developer and his family. Tensions between a traditional way of life and a more modern global approach are exemplified by Maneka’s father’s wish to return to the comforts of Calcutta. His wife’s death has left him alone in a place where he knows few and where the exclusive malls and shops hold little allure for him. Hrishipur itself assumes a characterlike role in this narrative woven from many detailed threads.
Mukherjee artfully demonstrates that even a new civilization can have its discontents.Pub Date: Jan. 10, 2023
ISBN: 978-1-953534-63-7
Page Count: 384
Publisher: Tin House
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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