Evocative stories about the way national issues impact even the most personal aspects of life.
Themes of fear, desire, and national camaraderie flow through Ukrainian author and philosopher Zabuzhko’s (The Museum of Abandoned Secrets, 2012, etc.) eight fiery tales.
Zabuzhko has been recognized internationally for her irreverent voice, and, even within the first few pages of this collection, one can see why. Zabuzhko does not mince words. She takes up space—drawing a sentence out to half a page and a paragraph out to three—and allows her mostly female protagonists to do the same. They follow their tangents, express judgments, and indulge in fantasies. In “Girls,” for example, a woman named Darka reflects on her days as a schoolgirl and her first sexual relationship, with her classmate Effie: “Now, from the vantage point of this dull bare plateau that is called experience, Darka could consider something else: namely that Effie with her innate vulnerability, her innate fragility—she was like a package, its contents cushioned in layers of paper, stamped Fragile on all sides in runny ink and sent on its way, yet without an address—this perfidious, secret, gracious, spoiled, truly vicious and irresistibly seductive inward aflame Effie-Fawn, simply had to find, at an early age, her own way of protecting herself.” On the one hand, this style, overfilled with em dashes and run-on sentences, can come at the price of worldbuilding; without much variety in sentence structure, settling in to each story and adjusting to its pace often feels difficult. On the other hand, if the reader puts in the work, this same whirlwind style produces female characters with fascinating internal lives and emotional crescendos that land. Zabuzhko’s characters struggle with domestic issues like navigating sibling rivalry or accepting a child’s sudden need for independence, each problem made thornier by the omnipresence of gender expectations, the terror of the KGB, or the passion of the Orange Revolution. The final story, “No Entry to the Performance Hall After the Third Bell,” offers a particularly intimate look at the way not only a current war, but the history of war, affects personal relationships. How does a mother protect her daughter from pain and trauma? Which secrets must she hold close and which, in her silence, drive a wedge between her and her daughter?
Evocative stories about the way national issues impact even the most personal aspects of life.Pub Date: April 28, 2020
ISBN: 978-1-5420-1942-2
Page Count: 252
Publisher: Amazon Crossing
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
PERSPECTIVES
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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