A folk tale–style novel set in medieval China, but readers may want more to hold on to.
In her novel, Gurian adopts a mythlike tone while incorporating historical events into the story of a young girl in 13th-century China under Mongol rule.
Little Ai and her mother, seamstress Sui San, join a troupe of actors when all Chinese are expelled from the Mongolian capital following an assassination. They travel across China, observing the friendships and rivalries of the actors, slowly becoming part of the extended family, until Sui San goes missing and is presumed dead. The troupe disbands when they reach their destination, and Little Ai is left with a neglectful aunt. The narrative has a folk tale–like quality, from its formal dialogue—“The heir to the throne has returned suddenly in order to render sacrifice to the gods. He demands your presence. Do not delay carrying out the command of the one who sends for you”—to its vivid depiction of a bygone world: “Peasants in straw sandals drove their donkeys which were hardly visible underneath tall baskets full of silk cocoons. Small-time merchants were screaming in various voices; wandering chefs were clattering their dishes; a fortuneteller was setting up his tent by a mat on which a doctor had laid out his medicines for skin and eye diseases.” Chapter titles (“How the Lamp Went Out Three Times,” “How Little Ai Met Her Big Brother”) complement the folk-tale feel as well. The plot is less satisfying, with many chapters presenting minor conflicts and adventures that have little impact on the ultimate resolution. Titular Little Ai is present for much of the action, but she remains in the background, displaying no evolution over the course of the narrative and offering little emotional connection to the reader. Take, for instance, her response to Sui San’s apparent death, several chapters later: “I haven’t seen Mother in her coffin, and therefore I don’t believe it. My daughterly duty is to fulfill Mother’s will, even if she isn’t alive.”
A folk tale–style novel set in medieval China, but readers may want more to hold on to.Pub Date: Jan. 12, 2016
ISBN: 978-1-5174-1390-3
Page Count: 200
Publisher: CreateSpace
Review Posted Online: July 7, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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