by Oliver Chin & illustrated by Jeff Miracola ‧ RELEASE DATE: March 14, 2012
Tropical illustrations and cheerful music are at odds with the scary creatures and sound effects, making for a...
An undistinguished story with plodding text and clashing interactions tries to walk the line between humor and horror and doesn’t succeed very well at either.
The Summers family takes a ride on the boat Lollipop on their vacation, but the weather goes bad, and they wash up on a creepy island with an angry volcano monster at its center. They split up into two groups and encounter strange, fantastical creatures like a Quetzalcoatl (winged snake), a Zillard (fire-breathing lizard) and a Catoblepas (horned, armored beast). The castaways seem doomed until one of the kids trips, accidentally dislodging a tree that has been stuck in the mountain’s foot like a splinter. The volcano becomes happy, the clouds clear and a rainbow appears. “Quickly, Man and beast became pals. They played, picnicked, and paraded about.” The app includes a plethora of features. Tilting the device hints at an unimpressive 3-D effect. Occasional starbursts appear on the screen, and if they’re touched quickly, a Halloween jack-o’-lantern appears with a creepy laugh and trail of black smoke. The characters have their own sound effects and animations, which sometimes interfere with the ability to activate the jack-o’-lanterns. There is a map icon on each page, and periodically a message appears that the viewer has “unlocked” a piece of the map, although the map doesn’t appear to change when that happens.
Tropical illustrations and cheerful music are at odds with the scary creatures and sound effects, making for a less-than-cohesive experience. (iPad storybook app. 4-8)Pub Date: March 14, 2012
ISBN: N/A
Page Count: -
Publisher: Mobad Games
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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