Though straining in spots, it has the offbeat, sweet style Jeffers’ fans know and love.
An adult and child gather tools and prepare for a future together.
Some things they build are rife with symbolism, such as a shelter to store what they value (including some “love” they set aside) and futures they build for each other, depicted as a series of items in blue and pink waves that spring from a wristwatch. Others are more concrete, like the fortress they build to repel “enemies,” whom they later invite in for tea and apologies. Some of what they build is fantastical (a road to the moon). The book is dedicated to the author’s daughter and is considered a companion piece to Here We Are, published in 2017 and dedicated to his son, though the pair here could still be interpreted as having a different type of caretaker-child relationship. Camaraderie between the two is the thematic focus in this affectionate narrative. Portions of the text’s meaning are somewhat vague (the two lie next to a fire that will “keep us warm like when we’re born”), and the rhyming text, with moments of inconsistent meter, occasionally feels forced. Jeffers fills the pages with an odd, giggle-inducing assortment of creatures; the duo’s former foes include a one-eyed pirate, a witch, a Viking, and (in a very poorly timed choice) a white-coated doctor with a surgical mask, and there are a friendly octopus and birds in space helmets. Adult and child both present White. (This book was reviewed digitally with 11-by-19-inch double-page spreads viewed at actual size.)
Though straining in spots, it has the offbeat, sweet style Jeffers’ fans know and love. (Picture book. 4-9)Pub Date: Oct. 6, 2020
ISBN: 978-0-593-20675-1
Page Count: 48
Publisher: Philomel
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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