by Oliver Morton ‧ RELEASE DATE: June 4, 2019
Accessible, informative, and entertaining—first-rate popular science reporting.
An engaging, multifaceted view of the moon.
British science writer and editor Morton (The Planet Remade: How Geoengineering Could Change the World, 2016, etc.) provides an account that is not only rich in facts, but leavened with fiction, for the author seems to have read widely in the literature of science fiction to show the interest, ideas, and fantasies people have had about our nearest companion in the solar system. To show how the moon has been perceived by humans over the centuries, he draws on Renaissance paintings, Victorian works, music, Robert Heinlein’s novels, and transcripts of conversations between Apollo astronauts and mission control in Houston. A respected writer on a variety of space-related topics, Morton presents solid facts about the moon, including its size, mass, surface features, orbit, atmosphere (or lack thereof), and, importantly, light. As the subtitle suggests, the author also looks at the future, and he reports that although a half-century has passed since man first walked on the moon, its exploration is far from over. In fact, he writes, “a flotilla of robotic payloads is slated to beach up on the lunar surface in the next five or so years, some from established spacefaring powers like China, India and American, some from newcomers, such as Israel and Canada. Some will be paid for as business investments, and some as philanthropy, instead of by governments, and some by money from all those sources. Some will get there under their own steam; some will pay for a ride on another company’s, or country’s, bus. Some will be given their rides for free.” The author also explores moon-mining, the production of solar energy, and space tourism. He predicts that humans will likely return to the moon, perhaps to stay, maybe even setting up bases and villages; indeed, the moon could well become a steppingstone to Mars.
Accessible, informative, and entertaining—first-rate popular science reporting.Pub Date: June 4, 2019
ISBN: 978-1-5417-7432-2
Page Count: 352
Publisher: PublicAffairs
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
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by Martha Baer & Katrina Heron & Oliver Morton & Evan Ratliff
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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