For anyone who’s ever wished they could read, instead of watch, reality TV.
A septuagenarian with a penchant for baking proves her worth.
After her husband, Bernard, comments that they’re no longer going to “embark on any grand adventures,” Jenny Quinn, a 77-year-old pensioner living in Kittlesham, England, sneaks into their study to secretly apply for a spot on a televised baking competition. Jenny doesn’t truly believe she has a shot at making it onto Britain Bakes—an obvious stand-in for The Great British Bake Off, right down to the jokes about a “soggy bottom”—but nonetheless summons the courage to hit Submit. Much to her surprise, she makes it onto the show. While she’s initially plagued with self-doubt and worries that she’s only been cast as a cruel joke, Jenny admits her plans to her doting husband, packs up her old-fashioned cast-iron kitchen scales, and takes the competition by storm. Many of Jenny’s bakes on the show harken back to significant moments from her childhood and young adulthood, and, sprinkled throughout the book, Ford intersperses the world of 17-year-old Jenny, which includes a secret that not even Bernard knows about. Ford’s writing is sentimental without being saccharine, and the scenes from Jenny’s youth are, much like Jenny’s pastry, deliciously layered. While readers might wish for a bit more conflict in the contemporary timeline, as our heroine would surely argue, there’s nothing wrong with indulging in a little something sweet: “Jenny has shown that our dreams have a place at every stage of our journey...that they can be achieved because of our age, and not in spite of it.”
For anyone who’s ever wished they could read, instead of watch, reality TV.Pub Date: Jan. 30, 2024
ISBN: 9780593656419
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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