Goldsmith established her fertile turf in The First Wives Club (1991) and hasn't let up since; here she presents another witty, venomous tale of female resourcefulness in the face of breathtaking male duplicity, set in Manhattan's sophisticated fashion industry. Self-absorbed, overworked, and fabulously successful, Karen Kahn is the spitting image of the harried New York executive in those 1980s Donna Karan clothing ads. The comparison is apt, because tall, somewhat hefty, 42-year-old Karen is the creative genius behind KKInc., a fashion design company poised for expansion into both high-end international couture and domestic mass market. To meet those goals Karen's handsome husband and business manager, Jeffrey, is soliciting a financing deal with multimillionaire Bill Wolper, whose discount clothes may be shoddy but who knows how to make a buck. But Karen can't concentrate on business now: She's just learned that she's unable to bear children, and, an adoptee herself, she soon becomes obsessed with finding her anonymous birth mother and adopting a child. Eventually she agrees to a ``real deal'' with her husband: She'll sign her company over to Wolper in exchange for the reluctant Jeffrey's cooperation as an adoptive dad. But the plan falls through when Karen learns that Wolper is cruelly exploiting the garment workers in his offshore factories, Jeffrey is carrying on two simultaneous extramarital affairs, and KKInc. is on the verge of a financial breakdown. ``There's nothing tougher than the garment industry...It's controlled by men and it feeds into a sickness in women,'' Goldsmith writes as Karen struggles to save her company, maintain her integrity, and cadge a baby. Hardly the usual stuff of commercial women's fiction, but Goldsmith's cheerful kick to the shins of the men who mess up the world and the women who let them can be profoundly satisfying. This novel works. (First printing of 150,000; $175,000 ad/promo; author tour)
Pub Date: Aug. 1, 1994
ISBN: 0-06-017611-3
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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