Simply put, this is a wonderful, wonderful book.
This sophisticated debut from Wolfgang-Smith traces an evolving emotional legacy through four generations of a family while examining the basic question of "how to love something without letting it have everything."
Glass—sometimes transparent, sometimes opaque, both sturdy and fragile—serves as the novel’s primary metaphor while anchoring its plot. Characters sometimes see each other with joyous clarity but often with distortions or not at all. In 1910, Boston socialite Agnes Carter renounces wealth and respectability (and perhaps her moral compass) for glass blower Ignace Novak, drawn to his talent, passion, and lucidity. The glass bee he gives Agnes will thread its way through the novel, a small detail of growing resonance, a lovely merging of image, theme, and plot. In 1938, Edward Novak knows nothing of his parents’ past. Stung more by their disinterest than their disappointment in him, the 18-year-old leaves their Chicago home to apprentice at a stained-glass studio in “their least favorite city,” Boston. He fails at stained glass but finds love, unaware that his sympathetic girlfriend, a rebellious daughter desperate to escape her wealthy, overbearing family, offers a skewed mirror of his indifferent mother. With AIDS as the backdrop in 1986 New York, the failed attempts of high-rise window washer Novak (given name Pamela, but known just as Novak) and her disabled father, Ed, to understand each other’s affection are heart-rending. At 47, wary loner Novak becomes unexpectedly captivated—“not lust but recognition,” she explains—by Cecily, a young actress whose commitment to her art form offers another off-kilter mirroring, this time of equally obsessive if more gifted Ignace. Novak’s misguided effort to reunite Cecily with her parents ends disastrously. Almost 30 years later, Cecily’s daughter, Flip, working for a company incorporating cremains into small glass sculptures, feels unloved and bullied by her family, a co-worker, and an ex-lover until she begins to understand that “people didn’t know things unless you told them.” Wolfgang-Smith writes like a glass blower, patiently building and enhancing to create durable beauty.
Simply put, this is a wonderful, wonderful book.Pub Date: May 16, 2023
ISBN: 9781635578775
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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