Against a shadowy pine forest at once mysterious and peaceful, a mother—human, or perhaps a sort of forest gnome—introduces her well-swaddled baby to the pleasures of a snowy night. As soon as Mama sees flakes coming down, she wraps herself and Baby in thick furs and “trundles” out, holding Baby up to see, hear, smell, touch, and taste the snow, then demonstrates sledding down a hill, building a snow troll, and other joys. So evocative is Dunrea’s (Gossie, p. 879, etc.) finely detailed art that viewers will practically be able to feel the winter air on their own faces, and experience the deep quiet. The two retreat indoors at last, and the intimate episode ends with nearly the same words with which it begins: “Mama rocks the cradle. The cradle rocks Baby. Baby softly sleeps. Mama sighs and nods her head. Baby sighs and sucks his thumb.” There’s a feeling of reverence beneath the joy that connects this with both the adult sensibility of Robert Frost’s Stopping by Woods on a Snowy Evening (Illus. by Susan Jeffers, 1978) and the more childlike pleasures of Ezra Jack Keats’s Snowy Day (1962). (Picture book. 5-7)
Pub Date: Oct. 16, 2002
ISBN: 0-374-39992-1
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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