Food for thought, though the portions are larger and tastier elsewhere.
A meditation on the perils of possessiveness.
In what is not so much a story as an open-ended discussion starter, a solitary squirrel stakes a claim—“It’s MY tree and these are MY pinecones”—and then whirls off on a round of imaginary what-ifs. Having first contemplated the prospect of being challenged for ownership and then the notion that there just might be enough shade and pine cones to share (“But we all know where that kind of thinking leads”), the squirrel proceeds to envision ways to reinforce its property rights…maybe by building a wall (nothing topical to see here, oh no). In the illustrations, the bucolic setting is transformed into a mental landscape dominated by a towering wall that stretches off into the distance to leave squirrel and tree alone in stark isolation. Thinking that there might be more trees or bigger pine cones to claim on the other side, the squirrel scampers to the top of the wall—and in a wordless final scene is left staring at a crowded woodland aswarm with other squirrels. Readers may be left feeling cast adrift, particularly as the plotline comes off as, at best, thin next to flavorsome explorations of the theme like Jeff Mack’s Mine! (2017), Alex Willmore’s It’s My Sausage (2020), or Tallec’s own (as illustrator) How Selfish! written by Clare Helen Welsh (2020). (This book was reviewed digitally with 11-by-16-inch double-page spreads viewed at 42% of actual size.)
Food for thought, though the portions are larger and tastier elsewhere. (Picture book. 6-8)Pub Date: Sept. 1, 2020
ISBN: 978-1-5253-0547-4
Page Count: 36
Publisher: Kids Can
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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