by Olivier Tallec & illustrated by Olivier Tallec ‧ RELEASE DATE: Nov. 1, 2012
It is a truism that children represent the future—engaging stories about conflict resolution are necessary, and this one...
The pointlessness of war, powerfully told despite having no words.
Two squat soldiers, one dressed in electric blue, the other in fluorescent orange, spy on each other from across a field by peering through their spyglasses. (Clever circle die cuts in the cover show readers exactly what each soldier sees through his lens.) The dumpy, little men sit, watch and wait. An incident involving a small snail escalates into a huge argument, but even then, they don’t attack. They just yell and shake their fists (black cartoon scribbles enliven the fury). Seasons pass, and snow and rain pour down, but still, the men watch and wait. Until one day a bird, half blue and half orange, finally forces them to come face to face. The two soldiers, Waterloo and Trafalgar, realize they are not as different as they thought. In an added twist, when the perspective pans out to show the full surroundings, readers gain a delightful, surprising insight. Tallec excels in expression; every movement, from scrunched-up anger to an exuberant grin, is meticulously planned, and these funny little soldiers show a wide range of emotion.
It is a truism that children represent the future—engaging stories about conflict resolution are necessary, and this one stands out. (Picture book. 5-10)Pub Date: Nov. 1, 2012
ISBN: 978-1-59270-127-8
Page Count: 64
Publisher: Enchanted Lion Books
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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