This kaleidoscopic narrative features engaging sociopolitical drama alongside a charismatic cast of characters.
A novel in stories that orbits four girls who meet in boarding school in Nigeria.
Remi, Nonso, Aisha, and Solape become fast friends as schoolgirls. The book's title refers to an incident that occurs on campus in 1986 and changes their lives irrevocably. When an acrimonious principal fires several teachers beloved by their pupils, students revolt. Some girls participate in the protest and some don’t, but they all experience lasting consequences from the choices they make in this single moment of their childhoods. The first of the book's connected stories takes place long before the uprising and centers a grandmother of one of the girls in an origin story of sorts that demonstrates this writer’s capacious vision. The stories that follow trace the trajectories of the girls’ lives as they grow into ambitious, cosmopolitan, globe-trotting women and introduce others who populate their worlds. One story, narrated by Remi's college sweetheart, takes place in the Bronx; a story narrated by Solape’s mother and another by Nonso’s housekeeper are set in Nigeria nine years apart. In this way Ogunyemi widens the aperture beyond the tight-knit friendship among the central characters to address family dynamics, race relations, changing political landscapes in the United States and Nigeria, and the ways in which women and girls adapt, endure, and thrive. These stories both collapse and reconstruct the coming-of-age arc in a refreshing way. The final story shines brightest in imagining a near future for the elders the girls become, and for the U.S. and Nigeria, that exceeds Aristotle’s maxim that a good ending be surprising yet inevitable. Ogunyemi explores myriad themes, from religion and fundamentalism to grief and resilience, capitalism and corruption, with aplomb.
This kaleidoscopic narrative features engaging sociopolitical drama alongside a charismatic cast of characters.Pub Date: Sept. 13, 2022
ISBN: 978-0-06-311704-4
Page Count: 256
Publisher: Amistad/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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