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EVERYWHERE I LOOK

A poignant, gripping story of love, memory, and physical and psychological brutality.

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Gritz blends memoir with true-crime detective work in this nonfiction book.

Dedicating the book to her sister, Andrea “Angie” Boggs (“the first person I remember loving”), the author explores a mystery-filled tragedy that has plagued her family for more than 40 years. The story begins with Angie’s final hours in 1982 prior to her gruesome murder and those of her husband, Raymond, her infant son, and her unborn baby. During a cold January, Angie and Raymond had invited a struggling unhoused couple into their San Francisco home, having experienced a life of hardship themselves. More than a month later, the remains of the family were discovered in a crawl space under their home. The vagrants who had stayed with them were subsequently arrested and convicted for their murders. Despite their convictions, Gritz, a college student at the time of Angie’s death, knew that key details were missing from the story of her sister’s life and death (“Did anyone ever learn their motive?”). Her secretive parents weren’t much help in providing answers, often casting Angie’s alleged behavioral problems as the driving narrative of her life. Following the death of her parents in 2002, the author delved into family records and microfilm research (she cites sources from her 10-year investigation at the end of the book) and discovered a history of abuse that her adopted sister had endured. The memoir’s revelations of family secrets make for an enthralling read, but the book’s true strength lies in the author’s heartfelt reflections on grief, survivor’s guilt, and trauma. Written in the form of a letter to Angie, this is a raw look at the beauty of sisterly love and the legacy of childhood neglect. Gritz’s often lyrical prose provides poignant reflections, which is no surprise given the author’s background as an award-winning poet and essayist. While previous iterations of some of the book’s material have been published in the New York Times, Salon, and elsewhere, this is a remarkably cohesive, genre-defying memoir that is at once a beautiful love letter and a haunting true-crime investigation.

A poignant, gripping story of love, memory, and physical and psychological brutality.

Pub Date: April 16, 2024

ISBN: 9781627205085

Page Count: 250

Publisher: Apprentice House

Review Posted Online: May 21, 2024

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  • Kirkus Reviews'
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  • New York Times Bestseller


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  • National Book Award Finalist

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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