A thoughtful must-read that explores grueling attempts to destroy girls’ spirits.
A grieving teen finds sanctuary in a home for “wayward” girls.
Set in 1970, this accessible work confronts the consequences of the Wayward Minor Act through poems that even reluctant readers will find riveting. Grieving the death of her father, Jane Flynn is out partying with friends on her fifteenth birthday when police officers show up, explaining that her mother has reported her missing. Bewildered Jane arrives at Spofford, “a maximum-security prison for children” in the Bronx, where she’s bullied and beaten by another girl. Her mom appears before the judge, trying to bring Jane home, but her original worries about keeping her daughter safe are used to justify continued incarceration. Jane is transported to the New York State Training School for Girls, where she meets the Racket, a group of girls who form a secret chosen family within the devastating system. Beatles fan Jane adopts the moniker Jude and develops feelings for the equally broken Jo-Jo. She also meets Miss Coleman, the first adult since her father’s death who listens to her. As Jane grows more comfortable with Miss Coleman, she risks exposing the Racket: With the Stonewall uprising a recent memory, can this adult be trusted? Gritz presents an excoriating critique of the systemic squashing of girls’ voices and the silencing of their desires and curiosity. Jane is cued white, and there’s diversity in race and sexuality in the supporting cast.
A thoughtful must-read that explores grueling attempts to destroy girls’ spirits. (author’s note, playlist, sources) (Verse historical fiction. 13-18)Pub Date: Oct. 1, 2024
ISBN: 9781978597419
Page Count: 200
Publisher: West 44 Books
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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