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LIVE TRUE

A MINDFULNESS GUIDE TO AUTHENTICITY

A readable and wide-ranging compendium of New Age nostrums, all presented with a cleareyed vigor that aficionados of the...

A comprehensive guide to achieving greater mindfulness in life.

In her latest book, Nadrich (Says Who?, 2015), a life coach, meditation teacher, and founder of the Institute for Transformational Thinking, urges readers in a busy, modern world of worry to stop, take deep breaths, and embrace a greater degree of mindfulness. The author characterizes the latter as a state that will help them to return to their “conscious homeland.” As the centerpiece of her method, Nadrich advocates a regular practice of “living our truth in the present moment,” and this theme runs throughout the book—specifically, the notion that now is the most important moment of all, and one must live it consciously and lovingly to give one’s life meaning. In such moments, she asserts, people get an opportunity to decide who they truly are and may alter their consciousness accordingly. The book’s brief, highly readable chapters are organized as a sequence of broad concepts, such as “The Future,” “Self,” “Consciousness,” and “Perception,” and each includes meditations that concentrate primarily on its specific concept. Every chapter ends with a koanlike “Note to Self,” as well, usually consisting of just a handful of words. Along the way, readers are always encouraged to focus on the present rather than worry about lost possibilities: “Happiness will continue to elude us,” Nadrich writes, “if we are constantly longing for what ‘could be’ rather than accepting ‘what is.’ ” Readers on the path of self-realization, she says, should always be working to lift “the veils of the inauthentic self” even if, in the process, they end up confronting unwanted truths about themselves. Readers who are already familiar with mindfulness guides will find much of what Nadrich writes in this one to be reassuring. In our path to self-knowledge, she writes in a typical passage, “we strive to meet our full potential, and live true to who we really are”; it’s very comforting to assert that one should strive to be perfect while simultaneously acknowledging that one already is perfect. It’s a win-win scenario and one that readers may have encountered before. That said, not everything in this guide is as hand-holding; for example, Nadrich also warns readers that it’s very hard to lie to yourself when you’re in a state of true mindfulness, and her frequent acknowledgement of the importance of love (“If love is not what sends you out in your day, you will feel something missing, and not know quite what it is”) adds a welcome note of compassion to the book. That said, it does sometimes lean a bit too much on New Age clichés, and readers may feel that some of the author’s statements, such as, “Love is all there is” or her description of Bob Dylan as the “modern version” of William Shakespeare, are a bit overenthusiastic. Overall, though, the tone of the book is one of endearing optimism.

A readable and wide-ranging compendium of New Age nostrums, all presented with a cleareyed vigor that aficionados of the genre will find appealing.

Pub Date: Jan. 1, 2019

ISBN: 978-0-578-41596-3

Page Count: 290

Publisher: IFTT PRESS

Review Posted Online: April 8, 2019

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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