THE WOLF WHO SOLVED THE MYSTERY OF THE MISSING MASK

Wolf’s reluctant visit to a museum turns out to be exciting in more ways than anyone could have foreseen.

“There once was a wolf who didn’t like museums. ‘Museums are boring,’ he told everyone.” In fact, when Wolf’s animal friends show up to invite him, he goes along solely for the company of curly-lashed lupine Wolfette. Wolf and friends are cartoons with wide, round eyes, wearing a few human accessories. The first museum room is a double-page spread of an art gallery, containing portraits with humorous, wolflike resemblance to world-famous subjects. Older readers will chuckle at the artists’ names, which include Leonardo da Wolfinci and Wolfmeer. Wolf soon meets museum guard Barnabas, a rat in a blue uniform. Barnabas begins to help Wolf appreciate the artwork until he learns that a “tribal mask” has disappeared from its pedestal in the "early art" gallery. Searching for the mask, the two new friends move past interactive exhibits, natural history dioramas, dinosaur skeletons, and more. Barnabas imparts museum etiquette and wisdom to Wolf as Wolf uses logic and observation to track down and expose the thief. Wolf evolves from indifferent visitor to active promoter, and even the thief finds museum-inspired happiness. The lack of specificity around non-European cultures in both text and illustrations, and the unfortunate—if not downright racist—implications behind the simian-appearing thief’s reasons for stealing the generic “tribal mask” mar the intended endorsement of museums.

Beware: an unquestioningly Eurocentric salute to brick-and-mortar museums.