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ISHI’S BRAIN

IN SEARCH OF AMERICA’S LAST “WILD” INDIAN

Ishi himself remains an elusive character, but as a vehicle for the author’s exploration of identity politics and...

As he goes about recording the quest to repatriate the remains of an anthropological icon who lived a century ago, Starn (Cultural Anthrolpology/Duke Univ.) steps back to take a look at the fate of Native Californians.

Ishi, who was perhaps the last member of northern California’s Yahi tribe, lived during his last six years in San Francisco, serving as something of a living specimen for anthropologist Alfred Kroeber. When Ishi died of tuberculosis in 1916, his brain was removed and sent to the Smithsonian, not an unusual occurrence in those times. But by the 1990s, there was movement afoot to reclaim Ishi's body for a proper burial, even though no one was entirely sure the museum’s possession of the brain was anything more than a rumor. Starn set out to see if the rumors were true, beginning with an investigation into the relationship between Ishi and Kroeber. An anthropologist’s anthropologist who, like Franz Boas, believed in the “ ‘absolute equality and identity of all human races’ in their moral and intellectual capacity,” Kroeber did not display much of his sensitive relativist’s streak toward his friend’s traditions when he allowed segments of Ishi’s body to be sent off in different directions. Turning to the subject of repatriation of Native remains, Starn confronts the wholesale slaughter of Native Californians, a major reason that it is difficult to identify direct descendants of bodies currently held as museum specimens. The Smithsonian’s “novel and tricky experiment in atonement and reconciliation” is only complicated by the vexed question of ethnic identity in what Gerald Vizenor has described as a “postnative” society. Ishi’s remains were finally laid to rest, but not before the Smithsonian lit a fuse that potentially imploded the entire process.

Ishi himself remains an elusive character, but as a vehicle for the author’s exploration of identity politics and anthropology’s missteps, he speaks volumes. (15 illustrations)

Pub Date: Feb. 1, 2004

ISBN: 0-393-05133-1

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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