by Orin Starn ‧ RELEASE DATE: Feb. 1, 2004
Ishi himself remains an elusive character, but as a vehicle for the author’s exploration of identity politics and...
As he goes about recording the quest to repatriate the remains of an anthropological icon who lived a century ago, Starn (Cultural Anthrolpology/Duke Univ.) steps back to take a look at the fate of Native Californians.
Ishi, who was perhaps the last member of northern California’s Yahi tribe, lived during his last six years in San Francisco, serving as something of a living specimen for anthropologist Alfred Kroeber. When Ishi died of tuberculosis in 1916, his brain was removed and sent to the Smithsonian, not an unusual occurrence in those times. But by the 1990s, there was movement afoot to reclaim Ishi's body for a proper burial, even though no one was entirely sure the museum’s possession of the brain was anything more than a rumor. Starn set out to see if the rumors were true, beginning with an investigation into the relationship between Ishi and Kroeber. An anthropologist’s anthropologist who, like Franz Boas, believed in the “ ‘absolute equality and identity of all human races’ in their moral and intellectual capacity,” Kroeber did not display much of his sensitive relativist’s streak toward his friend’s traditions when he allowed segments of Ishi’s body to be sent off in different directions. Turning to the subject of repatriation of Native remains, Starn confronts the wholesale slaughter of Native Californians, a major reason that it is difficult to identify direct descendants of bodies currently held as museum specimens. The Smithsonian’s “novel and tricky experiment in atonement and reconciliation” is only complicated by the vexed question of ethnic identity in what Gerald Vizenor has described as a “postnative” society. Ishi’s remains were finally laid to rest, but not before the Smithsonian lit a fuse that potentially imploded the entire process.
Ishi himself remains an elusive character, but as a vehicle for the author’s exploration of identity politics and anthropology’s missteps, he speaks volumes. (15 illustrations)Pub Date: Feb. 1, 2004
ISBN: 0-393-05133-1
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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