A superb, enlightening work.
An immensely learned, ambitious effort to view Russian history through the lens of its arts, music, and literature.
A skilled practitioner of both narrative and intellectual history, Figes (History/Univ. of London; A People’s Tragedy, 1997, etc.) takes his title from a scene in War and Peace in which the highly cultured Natasha Rostov forgetting the French-influenced mores of the court to perform, enthusiastically and precisely, a Russian peasant dance. Natasha has never performed that dance, but she somehow knows it in her bones—just as, Russian intellectuals have long insisted, there is something genetic, something inborn, about “Russianness.” Figes charts the growth of this sense of difference over generations, as Russians eventually shed the Western-imitating ways of Peter the Great (whose capital, Petersburg, “differs from all other European cities by being like them all,” according to Alexander Herzen) to create their own sense of identity. This Russianness borrowed from many traditions; there is no single authentic Russian culture, Figes insists, any more than there is a single American one, “no quintessential national culture, only mythic images of it.” Natasha’s dance, for instance, takes in Mongol, Persian, Kazakh, ethnic Russian, and other cultures, just as Petersburg was built of stone from Finland, Sweden, Poland, Germany, Italy, and the Low Countries alongside Russian limestone. Just so, Soviet culture was an amalgam of traditions, continuous with its predecessors though with a peculiar purpose: to “train the human mind to see the world in a more socialistic way through new art forms.” A high level of seriousness pervades this excellent study, but Figes still has great fun with his subject, as when he recounts a testy meeting between Stravinsky and Shostakovich, both of them sitting in complete silence until Shostakovich asked, “ ‘What do you think of Puccini?’ ‘I can’t stand him,’ Stravinsky replied. ‘Oh, and neither can I, neither can I,’ said Shostakovich.”
A superb, enlightening work.Pub Date: Oct. 9, 2002
ISBN: 0-8050-5783-8
Page Count: 712
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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